I imagine, as with any effective parable that taps into universal themes, one does not require prior knowledge of Jonah and the Big Fish, nor of “Moby-Dick,” to connect with similar lessons brought forth in Samuel D. Hunter’s play “The Whale” — but a little context might enrich the experience.
The “loopy and whimsical” play “Dead Man’s Cell Phone” takes audiences on a journey that explores how technology can bring people together “in the most abnormal way possible.”
The Grand Rapids Civic Theatre (GRCT) is building suspense with the announcement of its 2018-2019 season. That’s because the theater said it cannot share one of the musicals on its roster for the upcoming year due to the agreement that allowed it to land the coveted musical.
“If/Then,” the latest offering by Actors’ Theatre, is a fast-paced and entertaining production loaded with talented singers and musicians.
From theatre assistants to co-founders of their own production company, Teresa Thome and Patrick Ziegler have been friends and colleagues ever since they first met at Spectrum Theatre while attending Grand Rapids Community College, then Junior College.
You don’t have to wait for the sun to come out tomorrow. It shines non-stop in Grand Rapids Civic Theatre’s latest powerhouse production, “Annie.”
Local actress and director Randi Richardson said “The Dixie Swim Club” is the funniest play she’s ever been in. “It’s one of those plays that you leave the theater laughing that night but you laugh for weeks after because there are so many funny lines in it.”
Honestly, there was a point during the play “The Nether” on opening night Thursday evening where my guest wanted to walk out of the auditorium. Quite frankly, that’s something I was happy to hear, as I don’t think I want to know any person sitting in that audience that didn’t feel disturbed to their core of the virtual reality world brought to life on the stage.
Circle Theatre’s season finale, “It Shoulda Been You,” is a classic case of “here comes the bride.”
If you’re going to the Heritage Theatre Group production of Tom Stoppard’s “Rosencrantz and Guildenstern are Dead” purely out of curiosity to see their twist on gender-reversed roles, first understand it is perhaps the least absurdist encounter you’ll have with this classic existentialist comedy.