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Producing partners
Actor/rapper
Curtis “50 Cent” Jackson and
L.A. film producer Randall Emmett have
joined forces to shoot several movies in
West Michigan.
By
Marty Primeau
Photography
by Johnny Quirin
The cast and
crew of “Setup” gathered near
a snowy gravesite in Grand Rapids’ Woodlawn
Cemetery, waiting to shoot a scene in the
action film starring Curtis “50 Cent” Jackson,
Bruce Willis and Ryan Phillipe.
They stood patiently
in December’s dreary, sub-freezing
weather as Jackson and his co-producer, Randall
Emmett, conferred about some last-minute
decisions.
When director
Mike Gunther finally called for “quiet
on the set,” Jackson returned to his
character as a diamond thief, striding across
the snowy ground to embrace actress Susie
Abromeit.
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“Setup” is the fourth
movie the producing partners have filmed in West
Michigan in less than two years, following “Caught
in the Crossfire,” “Things Fall Apart” and “Gun,” which
premiered in December, and they’re planning
several more. Next month they’ll start
production of “Freelancers.”
“We love Grand Rapids,” Emmett
said later, warming up in Jackson’s trailer.
With more than 60 films to his credit, including
Sylvester Stallone’s “Rambo,” the
Los Angeles film producer said he doesn’t
know of any other city in the U.S. “where
you can block off three city blocks and start
crashing cars and shooting out windows and have
the community get excited.”
Jackson — the rapper best
know as 50 Cent — rose to fame in 2003
with the success of his CD “Get Rich or
Die Tryin’.” He said he loves the
friendly, respectful vibe in Grand Rapids. “People
are nice here. It’s a cool place for me
to be.”
And yes, he said, rumors that
he’s been house hunting in the area are
true. “I won’t make a decision until
we have a slate of films lined up,” he
said. “But if we’re going to be doing
three or four movies in Grand Rapids in 2011,
it makes more sense to buy a house than to stay
in a hotel.”
The two men launched their production
company, Cheetah Vision, in 2009 and are partners
in locally based Grand Rapids Films and Services,
a business designed to help producers who want
to work in West Michigan.
Emmett and Jackson are also close
friends, an “odd couple” relationship
that has flourished despite their disparate backgrounds.
Jackson, who off camera is soft
spoken, gentle and nothing like the tough guy
he portrays in his films, was a poor kid raised
in the streets of New York City by a teen-age
mother who was dealing drugs to make ends meet.
Emmett grew up in Miami, the son
of doting parents who assured him he could be
anything he wanted to be.
While Jackson rapped his way to
celebrity and fortune, signing a $1 million contract
with Eminem, Emmett followed a conventional path,
graduating from film school before venturing
out to Hollywood.
Their mutual love of movies is
what brought them together.
“We live and eat and breathe
movies,” Emmett said. “We have the
same vision.”
Both men talked about the turning
points that have helped them reach their goals.
Jackson said his life changed
14 years ago when his son was born. “That’s
when I totally shifted my energy into writing
and making music,” he said. “I wanted
a relationship with him that I didn’t have
with my father. I felt that if I wasn’t
around, no one would be there to provide for
him.”
His own childhood in the South
Jamaica neighborhood of Queens was “real
hard,” he said. “My mom was 15 when
she had me. At that time there were no programs
for teen mothers, so it was welfare or the street
life.”
She chose the street and was killed
when Jackson was just a boy. With no father,
he moved in with his grandparents and eight other
children.
“There weren’t a lot
of finances,” Jackson said. “The
only people with financial freedom that I could
see were people from my mother’s life.” By
age 12, he was dealing cocaine and heroin, “looking
for instant gratification. I wanted nice things.”
Music became a positive outlet. “In
my first CD, I wrote about all the dysfunctional
behaviors I’d been exposed to, in a nutshell.
And obviously, aggression translated the strongest.”
And aggression sold very well.
“I had the largest debut
in hip hop,” Jackson said. “Get Rich
or Die Tryin’” sold more than 12
million CDs in 2003, followed by “The Massacre,” which
sold 10 million. Along with his tough guy image
came feuds with other rappers. In 2000, Jackson
was shot nine times outside his grandmother’s
home and spent weeks in recovery.
“Struggles define your character,” he
said. “I’m hoping it was just the
first few chapters of my life that were difficult
and the rest of the book is good. Don’t
count how many times I’m down; count how
many times I get up.”
His face lights up when he talks
about his son, a high school freshman who lives
with Jackson’s former girlfriend in New
York City. “I talk to him a lot,” he
said with a grin. “But he’s a busy
kid with school and he plays basketball.”
Like most dads, Jackson said he
doesn’t always get his son’s full
respect. “When he comes to the studio,
he’s more excited to see Dr. Dre and Eminem.
I can’t be that cool — until his
friends come around.”
Though acting is a priority, Jackson
still tours and records music, even keeping a
studio trailer on his movie sets.
“It’s nice to have
music and film at the same time. I’m at
a point where I’m actually being an artist.
In the beginning, there were limitations because
I had to be conscious of finances. Now I can
do what I want. When you have a successful track
record, people listen and doors start to open.”
Emmett said that’s how he
felt when he finally found funding to do his
first project, a low-budget film called “Eyes
Beyond Seeing.”
“Making movies was all I
ever wanted to do,” he said. After earning
a bachelor’s degree at the School of Visual
Arts in New York City, he moved to L.A. and worked
at a talent agency. “I was assistant to
Mark Wahlberg while I tried to get my first movie
financed.”
But his big break came a few years
later when he produced “Sixteen Blocks” with
Bruce Willis. “Until then, I was doing
movies around $5 (million) to $15 million. Suddenly,
it jumped to $40 (million) to $50 million.”
Today, he still loves the moment
when the lights go down in the theater and the
credits come up. “It never gets old,” he
said. “I’m always shocked and think, ‘Did
we really just do this?’”
He and Jackson are pleased at
how the film industry in Grand Rapids has progressed
since they started making movies in West Michigan
a year ago. “There are incredibly talented
people here,” said Emmett, who also was
involved in “Touchback,” which stars
Kurt Russell and was filmed partially at Coopersville
High School. “About half to 60 percent
of the crew we use is local — as high as
85 percent on some movies.
“Grand Rapids is starting
to feel more like a Hollywood set.”GR
Marty Primeau is managing editor
of Grand Rapids Magazine.

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