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The Old and
New Library
Preservationists,
it seems, are never wrong. Too frequently
in our recent past, significant old structures
are razed simply to obliterate them from
the landscape, with no replacement to rise
in their stead. Nationally, as people have
become reacquainted with their urban centers
and in doing
so, their cultural histories, the trend has been
to rediscover the value in their aged infrastructure.
By Sam Cummings/Photography
by Michael Buck
The library’s
great hall (left), with its elaborate marble
and mosaic tile floor, feels strong and proud.
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Historic preservation has risen
from being an impediment to “progress” to a tool for economic
development. Thankfully, this trend has caught
on in our fair city.
Not only are we finding new uses for our older
buildings, but in many cases, we are restoring
them to their original grandeur, in some instances
going to great lengths (and expense) to undo some
of the painful modifications made in decades past
to “modernize” them.
This past spring, Grand Rapids rediscovered one
of its greatest architectural and cultural icons,
the Ryerson Public Library. Dedicated in 1904,
this building is a stunning example of Beaux Arts
architecture. The style first gained prominence
in the United States after the Columbian Exposition
of 1893 in Chicago. There, the first batch of American
architects (most notably, Richard Morris Hunt)
who attended L’Ecole Nationale Superieur
des Beaux Arts in Paris “showed their stuff” in
an elaborate construct of temporary buildings that
exhibited Renaissance classical inspiration. The
style, characterized by elaborate surface ornamentation
and decorative detailing, would dominate public
buildings in this country for two decades.
By
the middle 1960s, the original library, designed
by architects Shepley, Rutan
and Coolidge, was in need of expansion. The execution,
carried out in the era that I refer to as “the
dark age of American architecture,” marred
and concealed the interior features of the existing
building and tacked on an inconsistent parking
deck-like structure.
Fast forward to 2003. After a $31 million publicly
and privately funded renovation, the building is
once again a source of pride for our community.
The interior modifications have been reversed in
the original building, and the addition, while
not attempting to directly mimic its forebear,
has been tastefully rehabilitated to better complement
the dimensions and intent of the original design.
Buildings have a way of affecting our psyches.
This is one that you have got to “feel” to
believe. Taking time out from work one afternoon,
I walked over to the building to explore it in
detail. The majesty of the facade only hinted at
the swelling of emotion that came over me as I
entered the great hall. The grand stair, hewn out
of an incredible marble, curls around to the top
of a great atrium that floods the building with
natural light. Beyond, the transition from original
building to addition, which includes a café and
a brief exhibit on the history of the library,
is incredibly well done. Another large atrium dominates
the new space and a sweeping, open stair leads
down to the lower level. It is difficult to duplicate
the grandeur of the materials of the original structure,
and the designers — Fishbeck, Thompson, Carr
and Huber — didn’t try. Instead, they
thoughtfully used new materials in an effort to
respect the dimensions of it.
Although it is divided into several distinct areas
by necessity, the addition has the feeling of being
very open and user-friendly — a tough assignment,
well executed.
As I descended the stair to the exit, a woman
sat reading on the marble landing. It occurred
to me
that for nearly 100 years, knowledge has been
sipped in that very spot, and it reminded me
of why great
old buildings are worth saving. GR
Sam Cummings is the president of Second Story
Properties. For more information on the main
branch of the
GR Public Library (111 Library St. NE), call
988-5400 or visit www.grpl.org. |